The 33 Movie Story:- In 2010, the world’s eyes turned to Chile where 33 miners were buried alive by the catastrophic explosion and sinking of a gold and copper mine 100 years old. Over the next 69 days, an international team worked night and day in a desperate attempt to rescue the trapped men and their families and friends, as well as millions of people worldwide, waited and watched anxiously for any sign of hope.
But 200 stories below the surface, in the sweltering heat and with tensions rising, provisions and time is running out quickly. A story of resilience, personal transformation, and the triumph of the human spirit, the film takes us to the darkest depths of the Earth, which reveals the minds of men trapped in the mine, and represents the courage of both the miners and their families who refused to give up. Based on the moving true story of survival and filmed with the cooperation of the miners, their families, and their rescuers- “33” reveals the actual events never before seen that developed, above and below ground, which became nothing Unless a global phenomenon.
The 33 Movie 2015 Review |Rating |Box Office Collections
RELEASE DATE: November 13, 2015
STUDIO: Warner Bros. Pictures, Alcon Entertainment
DIRECTOR: Patricia Riggen
MPAA RATING: PG-13 (for a disaster sequence and some language)
SCREENWRITERS: Miko Alanne, Craig Borten, Thomas Michael
STARRING: Antonio Banderas, Rodrigo Santoro, Juliette Binoche, James Brolin, Lou Diamond Philipps, Bob Gunton, Gabriel Byrne
GENRE: Drama, Action
The 33 Movie Review :
Mining has been going on for so long in Chile was approved single vocation and become a generational vocation – the work of the father’s a man – which also means a fair share of tragedy has taken place. Part of that is incredibly low pay for hazardous work, some of it is the general lack of interest or attention from the mining authorities, but most come from the unpredictable and inevitable catastrophe ‘as the 2010 cave where 33 miners were trapped for three months.
The confluence of events – miners working class to fight together to survive against the elements, the political class trying to save amidst elitist restrictions – makes the idea of translating the story to film easy to understand. The fact that the miners were rescued gives a weight of inspiration that elevates the idea of appealing to the irresistible. The draw inspiration film is its ability to connect the audience with his theater through the medium of shared life.
At its best, our vision of the world and humanity expands and reminds us of our true place in it. The wide range of characters affected by the incident – led by Antonio Banderas grizzled veteran who refuses to give up hope of rescue and serious government minister Rodrigo Santoro – offers an almost unlimited combination of types of characters to play against each other. Director Patricia Riggen wisely chooses to approach in a few characters, differentiating each other through a handful of fonts understood quickly.
Focusing on events in one part often unnoticed the cultural landscape of the West, 33, who was shot on location in Chile and Colombia, held out life in Latin America that Hollywood does not usually bother with, both the good and bad. When miners are forced to flee an avalanche of rocks and mine collapses inward (the strongest sequence in the film), who take refuge in a small redoubt their corrupt leaders have not bothered in full action, leaving them on the brink of starvation just control yourself and your willingness to work together standing between them and death.
His only hope is a certain government minister and his willingness to take advantage of all resources of countries to manage the impossible and rescue drill a well before you run out of food or air. It is then that the 33 starts, but also when it begins to leave the rails as it gives to the dark side of the inspiring story, becoming a vehicle for easy sentimentality that trivializes its object and loses essential elements of drama in search of visceral involvement.
Away from the miners prevents them whenever transcends descriptions gave rise to them – …